Grease (Susan Elkin reviews)
Grease is such an iconic show that the audience tends to arrive already drunk with endorphins even before the band plays the first...
Grease is such an iconic show that the audience tends to arrive already drunk with endorphins even before the band plays the first...
Judith Burnley’s stunningly well written, new two-hander play has more layers than an apfelstrudel. It’s 1991. The Berlin Wall has just come...
I’m often invited to drama schools – to see shows, meet students, admire premises, chat to staff or whatever. I’ve been to...
We all want to see lots of young people in theatres. And having got them there of course, in an ideal world,...
It’s 1953. War widow, Frances Farrar (Alix Dunmore) has just divorced her second husband and has returned, with her children, for a...
Chino Odimba’s neat twist on Oliver Twist makes the point that the exploitation of boys like Oliver by criminals in Dickens’s novel...
It’s time to sing the praises of Theatre Centre – the new writing company specialising in young audience work, based in Shoreditch...
If venues take money from the theatregoing public for children’s shows, then they have a moral duty – it should be a...