Sisterland
Georga de la Cour
Directed by Charlotte Cattrall
Jack Studio, part of SE Fest 2026
Star rating: 4
An enjoyable, thoughtful 60 minutes of theatre, this show presents five young women inter-relating in the ladies’ lavatory in a nightclub. Every woman in the audience will recognise the female support network which kicks in as soon as you’re through the door – if someone is clearly distressed, needs toilet paper in a cubicle where it’s run out or is feeling unwell, for example.
It’s well observed and the writing is strong because, of course, these women are dealing with issues which go beyond the ordinary “Are you OK?” stuff. In the mix there’s unwanted – or at least unexpected – pregnancy, a relationship with a man which needs ending, a serious drink problem and a case of hidden despair, among other things. And it all knits together pretty cohesively as well as being funny because of course some of the things they say are ludicrous – but, oh so realistic.
It wouldn’t work as pleasingly as it does if it weren’t for skilled work from five accomplished actors who know how to time every line and how to play off each other which is also, obviously, a tribute to their director. Tabitha Kenworthy finds all the common sense alternating with vulnerable uncertainty that Lydia needs. Jaden Renee Prospere is strong as Cassie who is out for a good time but also worried about the MA she’s about to start. Hannah Patrick makes Michelle anxious but lively and very focused. And Lucy Renton creates a good foil out of Lara who is more grounded than the other four. Every cast member is good at active listening.
Juliana Grossi, though, is outstanding as Petra. Her character is outrageously full of attitude which she conveys perfectly – especially when she’s having a row with a man at the entrance to the Ladies and when we learn how she’s making money to top up her dwindling income. Her dramatic timing is impeccable. Then comes a moment when she finally drops the brittle bravado and tells the others what her troubles really are. It’s quite a performance.
It’s a show well worth catching.
