Go Noah Go (Susan Elkin reviews)
The flood myth is common to most cultures and John Agard, originally from Guyana, gives it strong African undertones with lots of...
The flood myth is common to most cultures and John Agard, originally from Guyana, gives it strong African undertones with lots of...
I have followed the success of Fourth Monkey Training Company, which launched in 2010, almost since before it was a twinkle in...
It’s always a pleasure when the annual Actors and Performers Yearbook arrives from Bloomsbury although I do wish they’d put some possessive...
Max Stafford-Clark is a fine director – innovative and influential. The industry has much to thank him for. Our Country’s Good and...
Phil Daniels (Fool) Ian McKellen (Lear) Sinead Cusack (Kent) Chichester Festival Theatre 2017 production. Credit: Manuel Harlan “Pray you, undo this button:...
Few bits of theatre news have delighted me more this year than hearing that Marlowe Theatre, Canterbury, has taken possession of the...
Though the quality of teaching is a vital foundation for training, the standard facilities is a key factor in preparing for professional...
I’m often invited to drama schools – to see shows, meet students, admire premises, chat to staff or whatever. I’ve been to...