Judge the art not the artist
Max Stafford-Clark is a fine director – innovative and influential. The industry has much to thank him for. Our Country’s Good and...
Max Stafford-Clark is a fine director – innovative and influential. The industry has much to thank him for. Our Country’s Good and...
Phil Daniels (Fool) Ian McKellen (Lear) Sinead Cusack (Kent) Chichester Festival Theatre 2017 production. Credit: Manuel Harlan “Pray you, undo this button:...
Few bits of theatre news have delighted me more this year than hearing that Marlowe Theatre, Canterbury, has taken possession of the...
Though the quality of teaching is a vital foundation for training, the standard facilities is a key factor in preparing for professional...
I’m often invited to drama schools – to see shows, meet students, admire premises, chat to staff or whatever. I’ve been to...
We all want to see lots of young people in theatres. And having got them there of course, in an ideal world,...
It’s 1953. War widow, Frances Farrar (Alix Dunmore) has just divorced her second husband and has returned, with her children, for a...
It’s time to sing the praises of Theatre Centre – the new writing company specialising in young audience work, based in Shoreditch...