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Chins up, folks

The last couple of blogs have been a bit gloomy. One loyal reader told me that I reduced him to tears last week and I’m not sure whether that’s something to be proud of or sorry for.

I’ve been reflecting, therefore, on some positive things about living with Alzheimer’s. Watching Ms A nibble her way into your life and marriage is no bed of roses but of course it isn’t all bad all the time.

Here are ten pluses. Sort of.

1.I have some very supportive friends, most of whom have stood back and let me get on with it for years because I’m a pretty independent person. Now, in their different ways, and using a fabulous range of talents they are surging forward with practical offers of help. And I’m gradually finding the humility to accept them. I feel quite spoilt and very loved.

2.I’m learning to prioritise and get things in proportion – probably for the first time ever. If My Loved One accidentally takes a second loaf out of the freezer which then gets wasted because we can’t eat it fast enough and it’s now thawed, does it really matter? Is it worth a major strop? No. A good lesson in forbearance.

3.Sometimes Ms A makes me laugh aloud. Driving into Worthing recently, a town I don’t know at all, I told MLO that the railway line was my landmark. “Once we’ve crossed it we’re virtually at the venue and I’ll look for somewhere to park.” I said. Five minutes later he was anxiously trying to direct me to one of Worthing’s two railway stations. We were going to a concert. Why on earth did he and Ms A think I wanted to go to a railway station? Smile with me

4.I have “met” hundreds of delightful people through writing these blogs. Some are simply kind and friendly.  Many are dealing, or have dealt, with Alzheimer’s. The empathy and the universality of the experience are heartwarming.

5.I have discovered a talent for form filling. I did the 29 page monstrosity masquerading as the Attendance Allowance form. It took me three hours but the application was successful and we’ve recently been awarded the upper level. Then I did the Blue Badge one – and we’ve been approved. Perhaps I should set up as form filling consultant. New sideline?

6.My driving has improved. I was always OK but now I have no one to share it with I am more resilient and, I think, more aware of all the things you need to be aware of. I’ve driven 10,000 miles in the last 12 months. As with anything else, there’s a lot to be said for plenty of practice – although the car is always filthy because MLO cannot take it to the lovely polishing Poles as he used to and I never seem to have time.

7.We can still share the things – mostly classical music – that we’ve always enjoyed together. That means plenty of concerts, ballets, operas and so on. Occasionally he’ll still look at me with his eyes shining in the middle of something good and for a few moments it’s like old times.

8.I think I’m getting generally more capable as I have to develop new skills to make up for the ones MLO is losing. I’m now a dab hand with the dishwasher, washing machine and dustbin routine, all of which he used to do. I can also lift and carry things that I didn’t previously think I could. I deal with most of our admin too. I can even tell you how much our utility bills and council tax are (I won’t, though, because it’s very boring). Until recently I wouldn’t have had a clue. Life is one long learning curve.

9.We are closer than ever to our astonishing supportive sons . When I go off on a music course or a little break with one of my kind, generous friends, one of the “boys” willingly downs tools (literally) and comes to take charge. They often house-sit if I take MLO on holiday too which is a real bonus, especially for our cat who then doesn’t need to go to a cattery.

10.MLO’s appetite, while still good, is less than it was. So my new project, rather than eating all the leftovers, is to cook less and adjust portion sizes. And that means I might lose some weight. Hurrah.

 

 

Last week I had the most uplifting theatrical experience of the year – so far.  I saw Swan Lake at Royal Opera House in the company of 2000 primary school children. Of course, the show was terrific. Beautiful dancing, grandiloquent sets and large orchestra playing what is probably the best ballet score ever written.

The reactions of the young audience were fascinating. No one had told them when they’re supposed to clap and I suspect that for many this was a first experience of live theatre. So the applause was spontaneous and triggered by sheer delight rather than by convention or expectation. There was an audible gasp when those iconic red velvet curtains began to part at the beginning. They whooped and cheered when they first saw the fabulous sets for Acts 2 and 3. The applauded enthusiastically whenever anyone on stage did anything spectacular too. There was a special needs group in the box opposite me and one of the staff was “dancing” one of the children during most of the energetic Act 3 set pieces and, by golly, was that child enjoying her trip to the opera.

Interestingly most children were quiet for most of the time they were meant to be – rapt and engaged, I think. And conductor Valery Ovyanikov is very good at waiting until applause stops even if it’s at an unexpected moment before bringing the orchestra in again. I was pleased too to see so many children coming down to look into the orchestra pit and speak to players, during the two intervals.

This was one of ROH’s school’s matinees. They run about six per year, charging a nominal amount for each ticket, Schools come  – red pullovers, blue sweatshirts, green hats, high vis jackets and all the rest of it – from all over the country. Before the show they picnic in ROH’s open spaces such as the Hamlyn Hall while a quartet of musicians play highlights from Swan Lake and dancers (students from somewhere?) in costume move among the crowds being swanlike.

What a splendid initiative. I wish everyone I’ve ever heard dismissing ballet and opera as elitist had been there to see it.

 

 

 

Despite my hollow, personifying quips about the loathsome, invasive Ms Alzheimer’s – and the combative language widely used in the media –  dealing with illness is not a fight. It isn’t something you battle against. You simply have to find ways of living with and through it.

I suppose “journey” is a better metaphor and one lots of quite wise people use along the lines of “Thinking of you both and your journey”. Pilgrim’s Progress maybe? Well there is certainly plenty of bumpy terrain along the way as well as smoother bits although neither My Loved One nor I harbours any religious delusions about ultimate arrival at the Celestial City.

On Saturday I reached Bunyan’s Slough of Despond. Not for long but just for a few self-pitying minutes I could feel its miserable muddiness churning beneath me.

For me it was a two show day. I had to review Stories on a String (jolly and charming) at Little Angel Theatre in Islington in the afternoon and Cosi fan tutte (variety, spice of life and all that) at Opera Holland Park in Kensington in the evening. As usual I’d intended to write the first review, and on this occasion also an overdue feature, in a coffee shop and get something to eat in the gap.

The problem was that I’d planned to take MLO to the evening opera because that’s very much his thing. As I’d first organised it, that would have been fine. But then – foolishly maybe –  I promised to review the children’s show as well and that meant he’d have to come with me to both.

In a previous life I would have asked him to meet me in Kensington at say, 6.00pm, for a pre-show bite. That is no longer an option for two reasons.

First, he wouldn’t be able to manage the journey. Although he can still do simple one bus A to B journeys on his own the thought of his arriving at a mainline railway station, finding his way onto the right underground line, remembering his destination and finding the agreed rendezvous is, well, unthinkable.

Second, as I’ve said before, he can no longer do doors, keys, locks and the intruder alarm so he is unable to secure the house in order to leave it safely. Someone else has to be there when he leaves home to make sure everything is done properly.

So I took him with me to both shows. By the end of the Little Angel piece it was 3pm and to say he was “wilting” would be a gross understatement. He looked drained and exhausted. He also, as usual, needed the lavatory. I steered him into Caffe Nero in Upper Street where I know there are decent loos, although in the event one of them was out of order. Cue for more weary hassle while I investigated, explained, told him to wait etc – with the kind, smiling acquiescence of one of the staff who took in the problem with one glance.

Meanwhile I bought tea, sat down – and hit the buffers.  We can’t carry on like this, I thought. It was an absurd triumph of hope over experience to think he could cope with a day like this especially after a show at Chichester the night before. I reluctantly decided I’d take him straight home – which would just about give me enough time to get back to Kensington on my own although I wouldn’t get anything to eat and the overdue copy wouldn’t get written.

I shed a few tears of self pity. Did I really sign up for this bloody nightmare? No, of course I didn’t but you have to get on with whatever life throws at you and normally I remind myself that there are many people far worse off than we are. We have each other. We’ve had a good life. Money is not a problem. We have two wonderfully supportive sons and so on. But for a while in Caffe Nero none of that worked and I felt utterly bereft and miserable.

When he eventually came back from the loo I told him what I’d decided – and that upset him too. In the end he was comforting me rather than the other way round. He also declared – quite assertively compared with how he usually is these days – that he definitely didn’t want me to bugger my day by taking him home although we both knew that would really have been his preferred option.

In the end we both went to Kensington, trudging at snail’s pace, as usual, through the tube stations.  I wrote my stuff and he had a bit of a rest in a cool, quietish place with his Kindle while I worked. And Cosi fan tutte was delightful. He got through it all – just. I’d learned a lesson, though. That will be the last time I take him out for a long “demanding” day. One show at a time in future and I’ll avoid two consecutive days.

Or perhaps I should work less? Not an option. Family and close friends rarely suggest it because they know, as I do, that it’s working which keeps me sane. It’s a sort of escape. If I couldn’t get out and about to work, meet people in the real ongoing world and write about it then I really would topple headfirst into the Slough of Despond and then where would we be? It’s business as usual then – for as long as possible.

Cosi fan tutte, Ivestec Opera Holland Park. Credit: Robert Workman

I write a lot about the performing arts I watch other people engaging in. Last week, for a change, it was my turn. I went to Benslow Music in Hitchin for three days – for the sixth or seventh time and immersed myself in string quartets for three days. It was my birthday on the middle day and I have to say it was “different” but one of the best for several years.

I began playing the violin when I was seven in a primary school class of eight children – formed on the basis of “Would anyone like to learn the violin?” and provided completely free. When I got to grammar school I wanted to continue and my father paid for individual lessons (£4.00 per term!) for the next seven years. I did graded exams, scraping though the higher ones with minimum marks to pass, and took part in lots of musical events both in and out of school. I quite liked doing it but I wasn’t good at diligent practice and was clearly never going to be more than a very mediocre amateur musician.

When I left school I played a bit at college and in community orchestras in my twenties. Somehow, though, it eventually fell away. I had two children, a job, a home to run and there wasn’t much spare time. The final nail in the coffin, with hindsight, was my elder son rapidly overtaking me. He passed the higher grades with dozens (and dozens) more marks than I had and went on to do a music degree. Today he sings, acts, arranges, plays in orchestras and music-directs in every moment he can spare from the day job.

I didn’t play at all for over 30 years. Then, in early 2014, when I was beginning to turn out cupboards with a view to moving house at some point in the following few years, I found my violin. I looked at it and thought: “Well what am I going to do with this then. Sell it?” Something snapped to attention in my head. “No!” I declared to myself. “I’m going to PLAY it!”

I bought a new case because I had a nasty case of weevils in the old one and took my poor neglected, stringless instrument to a luthier with instructions to bring it up to playing condition and rehair my bow, all of which he did within a couple of weeks.

Then I brought it home, unpacked it and attempted to play a tune. The result was dismally excruciating. My intonation had gone AWOL along with my ability to practise for more than a few minutes without wilting. And my fingers wouldn’t do as they were told. That was January 2014 and a great deal of perseverance followed. I used folk dance tunes – good exercise to get the fingers moving fluently – as a restoration tool and I had some lessons.  The only good thing to have emerged from that 30 year gap was that I had sung in a choir for most of it and my sight reading seemed to have improved. I was no longer the world’s worst sight reader – just the third or fourth worst.

I joined a little community orchestra in Ashford (Kent) which specialises in “returners” in summer 2014. At the first rehearsal I went to – and, crikey, was I nervous! – they were working on the first movement of Beethoven’s First Piano Concerto with the conductor playing the solo part. I managed more or less to get through the second violin part and finish with everyone else – at which point I had a little cry. I’d never dreamed that I’d ever be able to take part in anything like that again So bloody uplifting.

I went to fabulous, marvellous, life changing Benslow for the first time in October 2014, learned loads and managed to sight read a movement of a Mozart string quartet, playing one to a part, to my own astonishment. Since then I’ve been there about twice a year, having fallen in love with chamber music and formed a quartet with three other like minded people which meets regularly. We were at Benslow together last week and will be there again in December

I also attend regular workshops in Folkestone and Canterbury as well as still playing in my original orchestra although I can’t get to Ashford every week now that I’ve moved to London. And the icing on the cake is the orchestra I play in locally. It does three concerts a year (next is 23 June at St Francis Church, West Wickham if you’re in the vicinity!) and I enjoy every single minute. Every week I learn a lot – lovely people – and I drive away on a high at the end of the evening.

What a journey. I just wish my dad, no mean fiddler himself, were around to see us playing again – my younger sister is the other violin in the quartet.

And the moral of this story? If you have a musical instrument lurking in your cupboard from years ago, get it out and play it. It’s never too late. There’s good news, too. Memory is a strange thing. It doesn’t take quite so long to re-acquire the techniques as it did to learn them in the first place. It’s still in there somewhere if you can find a way of unlocking it.

Oh, Shakespeare. You knew a thing or two about human life, didn’t you? You (and Claudius) are spot on about sorrows, single-spies and battalions.

As if it isn’t enough to be confronting bloody Ms Alzheimer’s with her fangs and wily ways, My Loved One now has skin cancer.

It’s a non-aggressive type and, as I keep telling him, this is a relatively minor blip. It’s not in the least like getting, say cancer of the bowel or lung. It’s fixable – and will be dealt with very soon – although I expect it will be pretty sore and uncomfortable after surgery and we’ve been told he’ll probably need a skin graft so it isn’t exactly something pleasant to look forward to.

One way and another he seems to be running out of luck. If this lesion (I gather that’s the technical term for the rapidly growing cherry-sized growth on the bridge of his nose) had been elsewhere on his face, the dermatology department would have been able to sort it more or less instantly. As it is he’s been referred on to Ear, Nose and Throat which means waiting a bit longer and he’s lower in spirits than I’ve seen him at any point since the Alzheimer’s diagnosis.

So how can I cheer him up? I took him straight down to the surprisingly nice café at Lewisham Hospital and bought him a double espresso and big chocolate cookie after we’d seen the dermatologist. I think I’ve bought and handed out more chocolate biscuits in the last twelve months than in my entire life but of course that isn’t really the answer. It just creates other problems. He is now beginning to say that some of his trousers no longer fit.

It is, however, becoming ever more difficult to find things which give him any pleasure. For many years we’ve been frequent theatre goers because of my work. Well, for the last year or so I haven’t included him in some of the more way out “fringe” excursions because I’m pretty sure he wouldn’t like them. He’s a  conventional sort of chap. Besides he no longer has the stamina for too many outings and gets very tired.

Last week we saw (and I reviewed http://www.sardinesmagazine.co.uk/reviews/review.php?REVIEW-Regent%E2%80%99s%20Park%20Open%20Air%20Theatre%20(professional%20productions)-Peter%20Pan&reviewsID=3221) Peter Pan at Open Air Theatre, Regents Park. Well, OAT is pretty easy to get to from our new base in south London. It’s a venue we’re both very fond of. We saw the show when it first aired in 2014 and I was pretty sure it would be good so I thought I was on to a winner with MLO. Not a bit of it.

“Good” is an understatement. Predicating Peter Pan on the fact that the lost boys would have been cannon fodder ten years later and set in a field hospital, it is theatricially astonishing and almost unbearably moving. Most of the critics writing for publications with star systems gave it 5 as I would have done. Yet, MLO sat impassive next to me and I could sense that the show wasn’t working for him.

Afterwards I said “You didn’t enjoy that did you?” to which he replied “No, not much”. Once I’d had time to digest the baldness of that and we were on the train home I pursued it. He couldn’t, however, articulate why he hadn’t liked it. And the same thing has happened on the last two or three occasions he has accompanied me to the theatre.

“You don’t seem to enjoy going to the theatre much any more. What do you REALLY like doing?” I asked, in the end.

“I don’t know. And that’s the trouble” he replied.

So where do you go from there? In fairness, classical music concerts still seem to do the trick. We heard a magnificent performance of Haydn’s The Creation at Temple Church London last week and his eyes did shine for a bit. Sort of.

He tells me, when I push, that  he’s worried about the squamous cell carcinoma (except that with his usual lack of scientific understanding he doesn’t know that what it’s called) and the outcomes. I’ve told him over and over that it will almost certainly be OK and it’s very, very common. But he doesn’t hear me.

Part of the problem, I think, is the new found bluntness of the medical profession. I’m a spade-is-a-spade person and usually all for frankness but MLO grew up in a family where people whispered behind their hands of “growths” and “losing it”.

When we got the Alzheimer’s diagnosis all he heard was the word “Alzheimer’s”. It was the same this time. The dermatologist simply checked the rest of his body, then measured and inspected the lesion before saying: “That is a skin cancer and it will have to be removed.” MLO heard one word and has been panicking ever since.

So how do I distract him since chocolate biscuits and theatre (for different reasons) no longer work? “Let’s book a holiday for late September” I said brightly. “That will be something for you to look forward to once this thing on your face has gone and you’ve got over it”.

I got a half-grin and a bit of low level enthusiasm so organising that is my current project – once I’ve sorted arrangements for Catus Domesticus, the real ruler of this household.

I have spared you, loyal reader, the photograph of the cancer on MLO’s face which I have on my phone. It isn’t pretty. Enjoy a nice shot of Shakespeare instead. It’s Robert Gower’s Shakespeare memorial in Stratford, another place – by the way – which MLO no longer has the stamina to get to for the theatre unless we stay overnight.

I knocked on Arabella’s sticker-encrusted door. “Come on. It’s 7 o’clock,” I twittered, feeling inexplicably nervous. “Thompson will be calling us in a minute and you said you wanted to get in the shower early so that you could head over to the art room and finish that drawing before breakfast.”

Heaving myself out of bed to wake her was an unusual effort that morning. We’d sat up until very late chatting about her dysfunctional family as we’d done every night for years. Now I was feeling light headed and slightly sick.  Most of the conversation had turned on whether or not they would still be able to pay the school fees if her dad had to sell any more restaurants. Then I’d crept into her bed, as usual, for a cuddle. Finally, leaving her asleep, I’d slipped silently back to my own room. For some reason, I didn’t drop off for a long time, though.

I fell in love with Arabella Verdi when I was four and saw her across the kindergarten classroom standing between the quiet corner and the craft table on our first day. Her shiny dark hair was neatly cut into the nape of her tiny neck – an unusual style for a child so young and I was transfixed by her pretty brown freckles on olive skin.  Even then something stirred in my tummy and infant heart when I looked at her although it would be many years before I understood the meaning of that feeling.

Arabella and Lauren. Lauren and Arabella. We’d been inseparable for thirteen years right through prep and senior school and nothing, but nothing, was going to change that. Our UCAS forms were done and we were both hoping to do English at Warwick.

Her parents would have preferred her to go to Exeter and “strike out on her own” for a bit and made no secret of it. The word “unhealthy” was beginning to crop up, so Arabella told me. Our careers teacher had hinted that we ought to think about going our separate ways at least during term time too.  But I got my way – as I usually do. All we needed now was a few A levels and we could settle at uni together away from homophobic teachers, worried parents and restrictive institutions – a long, bright, free future ahead of us.

She felt the same way. Of course she did. I know she chats to the village boys back home but that only reminds her how uninterested she is in anything male. That sexy flick of the thick wavy long hair and flash of her coal-black eyes –  like a TV  upmarket shampoo advert – were  reserved for me and only me.

Mimi Wu’s rather gross twin brother, Kenny, a student at a boys’ school near ours who texted her occasionally wasn’t going to get anywhere either. He tried to twinkle at her when he popped over at weekends but Arabella didn’t want to know. She often mentioned it and I laughed. He didn’t stand a chance with my gorgeous girl.

I knocked again. As loudly as I could.  Silence. Could she already be in the shower? Pretty unlikely, knowing Arabella who sleeps as if there were prizes for who can sleep the longest – like the dead, in fact.  Should I walk in and shake her? No. Something held me back from that. We’d been trained from infancy to respect each other’s privacy. There isn’t a lot of it around in a boarding school so you have to hang on pretty tightly to what there is. I’ve walked into her room uninvited before which she doesn’t care for especially if she’s on her phone or laptop. She is, I suppose, more reserved than I, despite our intimacy. Best not to enter the room.

Sounds of yawns and creaking beds were beginning to stir around me as I padded along to the showers. “Are you in there, Bella you old slag?” I called affectionately, a bit louder this time so that, if she were there, she’d hear me over the running water. I could hear someone splashing around  but it must have been Mimi. She’s always up early, a life time habit born of growing up in tropical Hong Kong. I sang out Arabella’s name once more although, really, I already knew that she wasn’t there.

“What on earth are you shouting about, Lauren” said a soft Edinburgh voice behind me. “It’s still quite early and we don’t all want rudely rousing just yet. Is something wrong?” It was Miss Thompson begirdled in plaid, her bunions more or less concealed in her bulging slippers. She had been sixth form house mistress at Frampton Park School for as long as anyone could remember. She’d been Arabella’s mother’s house mistress and, if you listen to rumours, several girls’ grannies remembered her too.

“Oh good morning, Miss Thompson” I stalled with crisp, automatic, characteristic Frampton Park politeness. “It’s just that I can’t find Arabella and I promised to wake her.

“Hmm. I expect she’s fast asleep. Were you two chatting late last night?”. Miss Thompson had a slightly quizzical, eye-brow raising way of asking questions like that. She was a sharp old bird who missed very little and I’m pretty sure she knew how things were between Arabella and me – so much so that I suspected that a few lifetimes ago she might have had a girlfriend she loved too. There was always a hint of understanding and empathy beneath her Scots brusqueness.

Now she dressing-gowned her way briskly along to Arabella’s door and beat a peremptory tattoo on it. No response. “Arabella” she said authoritatively. “Are you OK?”

“She’s clearly very deeply asleep, Lauren” said Miss Thompson when her knocking, like mine, was met by a definite silence.  I could hear a slight quiver of anxiety creeping into her voice. She was beginning to take this a bit more seriously. “Now, tell me the truth. When you were up late last night what else were you doing? Did you drink or take anything?”

Well, I’d seen this one coming. Bella and I weren’t averse to a drop of vodka. And during holidays and exeats we’d dabble with weed and a bit of coke occasionally. But we really wanted to stay in school long enough to pass our A levels so we resisted the  quickest route to expulsion by bringing drink and drugs into school. “We made a pot of tea in the house kitchen and took it down to Arabella’s room with some toast and Marmite” I said. And I was telling the truth.  Later when they saw inside of her room the corroborative remnants of our little supper were there.

“Right, you go and get dressed, Lauren, and leave this with me” said Miss Thompson. Half an hour later I was over at the main building in the dining room helping myself to fruit, yoghurt and coffee, trying to pretend that everything was normal. “Where’s Arabella?” said Mimi, bringing her bowl of cereal over to join me at one of the room’s many bench tables. Like most of the girls we’d grown up with Mimi regarded the two of us as a unit and it was unusual for me to be breakfasting without my other half. I never quite knew whether our mates really knew the truth about our love.

I didn’t have a lesson that day until after break so when I’d finished distractedly pushing my breakfast round my plate it was time to back to the boarding house – a sixth form privilege. Younger girls had to take their lesson things to breakfast with them and go straight on to class, not returning to their boarding houses until after lunch.

I was in no hurry. So I went from the dining room up the stark, steep external stone steps to the library which was part of Frampton Park’s original coaching block.

As usual it felt chilly but intimate once you were inside and there were lots of alcoves and niches where you could be unseen and unknown to anyone else. I sat in silence for a while. Then I went to the English Literature session and found the critical work on Tennyson’s In Memoriam which Arabella and I had agreed we needed for our current English assignment. The book had the text printed on the left page and critical commentary on the right. It fell open at “The path by which we twain did go, Which led by tracts that pleased us well”. It could have been written for us. We both loved In Memoriam. “Ring out, wild bells”. Yes, one day we thought – for us.

Eventually, I couldn’t put it off any longer, heavy hearted and apprehensive as I was feeling.  The cindered path back towards the boarding house was lined with huge horse chestnut trees whose branches and browning leaves met over my head to form a dark archway punctured with fingers of autumn sunlight. I scuffed through the dead fallen leaves and shiny conkers. And I wished desperately that Arabella were sauntering along beside me in her bright green Chloe blazer over her navy uniform trouser suit in defiance of school rules.

Today felt strangely like some sort of major turning point and I wasn’t in a rush to face what was coming. My mind still felt foggy with foreboding. Tennyson’s lines “And if my heart, if calm at all. If any calm, a calm despair” rang in my head.

Then I turned the corner and saw her father’s white Jag with its DV100 number plate, parked in the courtyard in front of the sixth form boarding house. He’d bought the personal plate some years earlier to celebrate the opening of the hundredth restaurant so the vehicle was very distinctive.

David Verdi, Arabella’s dad, owned Verdi Pizzas which had a branch in most British towns and I’d known him almost as long as I’d known her. David, and Arabella’s mother, Claudia – all diamond earrings and charity events with horses –  lived in a massive mansion in rural Berkshire that once belonged to a prosperous Victorian entrepreneur. When I stayed there I had a bedroom bigger than my Gran’s council house and a bathroom of my own. For years they put me in the room next to Arabella with a communicating door. The last twice I’d been I’d been assigned a room on the other side of the house.

“We thought you’d prefer it because it gets more sun,” Claudia, explained smoothly but I was pretty sure they were gently trying to stop us being together. David and Claudia were both the descendants of poor Italian immigrants. They liked to joke fondly that Arabella’s great grandfather played the barrel organ on the streets of London but that might have been just a romantic tale. Either way they remained  Catholic at heart and they really didn’t want their only daughter to devote her life to a relationship with another woman. That’s why, having spotted the “danger”, they had taken to inviting lots of “eligible” young men to visit as often as possible, when Arabella’s home, as if they were characters in a Jane Austen novel.

My background was very different. My dad was a GP and we had to live on what he earned. He grew up in a poor area of Liverpool, where my Nan still lived.  A grammar school place eventually spring-boarded him into medical school. My mum worked nights as a theatre sister simply to pay my school fees.  When Arabella stayed with us she had to share my room which was great and, if my parents suspected the truth they seemed to be pretty relaxed about it. Neither Arabella or I had ever discussed our relationship openly at home or anywhere else for that matter.

“Come into my office”. Miss Thompson, now in her daytime uniform of black trousers and chiffon blouse, her face chalk white, was waiting for me by the door. “I’ve got something very serious to tell you”.

“Is it Arabella? Is she ill?”

“Sit down, Lauren” She closed the door with a definite click. I dropped into the wicker chair beside her coffee table. The room smelled of coffee and Wright’s Coal Tar Soap.

“Lauren, Arabella is dead”

The soles of my feet went clammy. Suddenly my tongue wouldn’t move in my mouth. I wanted to snatch open the door and run away as far as I could. Then I noticed that Miss Thompson seemed to know that because she had stood up and was standing between the door and me.

“She can’t be dead” I stammered. “I was with her last night. She was fine when I left her.” I tried to think back to how Arabella usually looked when I left her at night, her dark hair against the pale pillow but could find only a big blank white space where my happy memories and hopes usually lived.

“Lauren, the terrible truth is that Arabella has been strangled with a pair of tights as she lay on her bed. Paramedics have been but there was nothing they could do so she’s still here in her room. You were probably the last person to see her alive”

Strangled? Vivid images started to bubble up. I’d read novels and seen films. People turn purple. Their eyes bulge. Their tongues protrude. Not my beautiful Arabella. No, no , no …

“Who could have …?” I gasped, feeling suddenly cold and dizzy.

“We don’t know” said Miss Thompson “But you’re a key witness and the police will be here any minute. Your parents are on their way too. Arabella’s father has already arrived.”

“Can I talk to David?”

“No not for the moment. I have to ask you to stay here in my office. I’ve blocked the staircases as no one is allowed upstairs at present. Use my loo if you need to. I’ll get Miss Lewis to come and sit with you.”

With that she left, looking more strained than I’d ever seen her. She dropped the latch so that I couldn’t have gone anywhere even if I’d wanted to.

Then I heard it. The broken sobbing of utter distress. It was David Verdi in the tutorial room next door. As I listened, Miss Thompson joined him, murmuring something. The desolate, distraught weeping continued without pause.

I shivered. But I didn’t –  couldn’t – cry. I sat gazing past Miss Thompson’s computer at her neat pin board with its lists of exeat dates, parents’ phone numbers and student birthdays – the everyday details of real life. I don’t know how long it was before Pam Lewis, the much younger assistant house mistress, slipped into the room and sat down beside me. Normally very chatty, this time she said nothing. Instead she touched my hand and gave me a strange, distracted, non committal half smile as if I was someone she didn’t really know. David, meanwhile, still wept.

The police were in the building. They’d arrived quietly but I could hear several unfamiliar voices. I suppose they saw no reason to sweep in with flashing lights and sirens. It wouldn’t bring Arabella back to life. And it would upset the younger children in the other houses. The school would probably have to be closed for a while, I realised. Everyone would be sent home and this story would be all over the papers – who love to get their teeth into schools like Frampton Park anyway.

More vehicles drew up outside and a dog barked. I’d recognise Barney, our cream Labrador, anywhere from a single bark. My parents must be here. I heard someone let them in. But no one came in to Miss Lewis and me. We just sat there in cloistered silence.

Doors banged. People scuttled about. It no longer sounded like the sixth form boarding house. It was as if it had been taken over by forces much more powerful than the ones who normally managed it. I suppose the students had been sent to another boarding house or over to the main building because there wasn’t a single teenage voice. But I could hear male footsteps tramping up and downstairs and that was unprecedented. Normally during term time no male – not even a father or a brother – was allowed up those stairs.

Why had I been isolated? Weren’t they going to let my mum and dad come in to commiserate with me? I’d lost the person I loved most in the world and I was feeling as if I’d been sliced in half.

At last, Miss Thompson unlatched the door. She was with my mother and another woman who introduced herself as Detective Inspector Clare Wise. Miss Thompson nodded at Miss Lewis who slipped out and I don’t think I imagined the relief on her face.

The door banged nearby. My dad was talking to David Verdi. Their voices were muffled and punctuated with coughs.  David was trying to stem his tears for long enough to talk to my dad. And Dad, no doubt, ever the tactful doctor even when off duty, was probably being warm, supportive and understanding. It didn’t seem to occur to anyone to wonder where Claudia was. Later I learned that she and David were in the throes of separating. That morning she happened to be away on a cruise in the South China Sea with the man who eventually became her second husband. Internet and phone connections were proving difficult and they were still trying to contact her.

My mum always looked strained when she got home from her night shift. Assisting at high level emergency surgery requires a special calm and she’d got it in spades but when she came off duty she collapsed like a pricked balloon – that’s the side of her work her colleagues didn’t see. That morning she must have come in from the hospital, got the call from Miss T and driven straight down here from London with Dad. She probably hadn’t even had a cup of tea, never mind breakfast or a sleep. She looked lined, pinched, worried and much older than her 46 years.

“Lauren” she sped across the room to enfold me in her arms as she usually does when she sees me after an absence even if we’ve only been apart for an afternoon. I felt the tension in her body as she hugged me. “It’s going to be OK, darling. Just tell the truth and then we’ll take you home for a bit” she said.

What? Of course, I was going to tell the truth. Why on earth did she – my mother of all people – think I wouldn’t?

“I need to ask you some questions, Lauren” said the policewoman.

“You’re still only 17 which means you’re underage. So your mother will be present.”  I sensed my mother relax very slightly with relief.

“I’ll be in the room across the corridor if you need me” said Miss Thompson and left the room as the three of us sat down round her coffee table. There was silence for a few minutes while the woman shuffled a note pad and produced a digital recorder from her bag which she placed on the table between us and switched on.  Then she took a long deep breath.

“This is D.I. Clare Wise interviewing Lauren Baker” she announced for the recorder. “Lauren, can you tell your mother and me what happened in Arabella’ room last night?

For a moment or two, I said nothing. Then remembering the many evenings Arabella and I had spent together in her room. I explained how I’d made the toast and we’d eaten it, chatting and then I’d gone off to bed.

“What else happened?” she pressed.

I didn’t reply.

“You and Arabella were very close weren’t you?”

“Yes, we’d been friends since we were four years old”

“Lauren, are you gay?” she shot out the question with piercing suddenness. I didn’t look at my mother but I felt her brace herself.

I swallowed. “Well I’m not interested in boys. So I suppose I am – what you just said.”

“Lauren, we have every reason to suppose that you and Arabella were in a sexual relationship. Our scene of crime officers have found several blonde hairs, including some pubic ones, in her bed. A DNA test, which we shall need to do later will prove whose they are but I don’t think there will be any surprises when we get the results will there?”

She continued: “You must have been the last person to see her alive so is there anything else you want to tell me?”

I thought. And all I could think of was Arabella’s face when, many times over the years, she’d told me that she loved me : me, gawky Lauren, with a physique like a Russian shot putter. My lovely, dainty, pretty girl.

“Arabella wasn’t gay was she?” the policewoman demanded, cutting across my thoughts.

“Of course she was” I snapped to attention. “The two of us have been an item since we were children. And that’s the truth.”

She paused. Then she took an audible deep breath. “Lauren, Mr Verdi – David – has been talking to your father and me. He says that Kenny Wu has spent a lot of time at their house recently. He has stayed for several weekends and Mr and Mrs Verdi now allow him to sleep in Arabella’s room.”

“No! That’s not true. Why do I have to sit here and listen to these ridiculous lies? Mum! Tell her about Arabella and me. Please …” My voice was sounding shrill and I was beginning to feel sweaty and stressed.”

My mother didn’t answer immediately. Instead she reached over and took my hand. The policewoman shuffled her papers. The recording device bleeped. Then, after what seemed a very long silence my mother cleared her throat and said gently:  “It’s true, Lauren. Claudia has phoned me several times about this. Kenny is now a regular visitor at the Verdis’ house. And he’s not going home to Hong Kong for the Christmas holidays. He has a front of house job at the theatre in Frampton Wells during their busy pantomime season and he’s going to stay with the Verdis while he does it. He is definitely now Arabella’s boyfriend.”

Then she added, her voice cracking. “Or was. I just didn’t know how to tell you.”

“That’s rubbish! I don’t believe a word of it.” I shouted desperately, my mouth beginning to quiver and my eyes hot and prickling. Why are you all saying such horrible things?”

There was another pause. Then the policewoman spoke.  “Lauren, I want to show you something”. She went to the door and spoke to someone outside before returning with a sealed plastic bag.

She handed it to me. Inside was the Pandora silver ring I bought Arabella for her seventeenth birthday last year. It was crushed, almost flat as if someone had stamped on it. It occurred to me that I hadn’t seen it for a while.

I rubbed it between my fingers through the polythene.

And instantly there it was: the ghastly, desolating truth. In my hands.

It was as if someone or something had hit the white arrow on a video on a phone in my head. At last I could see and hear the events of the previous night, unrolling with hideous clarity before my eyes.

I was arriving in her room with the late night snack and Arabella was sitting at her desk chair and saying “Lauren, we have to talk” There was something about the serious way she was speaking which felt like a huge boulder dropping to the bottom of my stomach. I no longer wanted toast and Marmite. I sat down on her bed and looked at her.

“The thing is” she said abruptly “that I don’t think I want to carry on like this any more.” I could tell she was struggling for words. “We can be friends – obviously – because we go back a long way!” She smiled hollowly. “But can we please stop all this – you know – this other stuff about being lovers and touching each other? It doesn’t feel right any longer.”

“You don’t mean that” I said quickly. “You and I love each other. Lauren and Arabella. We’re a unit, remember? Nothing has changed”

She went very still. Then she looked at me. “Actually something has” she said “And I’ve been trying to tell you for weeks.”

In a flash I remembered all the times she’d put her phone away the instant I appeared and the many occasions when she’d drawn breath to speak and then stopped. I’d chosen to ignore it. We were in love and we were going to spend our lives together. Nothing else mattered.

Whatever it was, it was coming now and I didn’t think I could bear it. I jumped up to put my arms around her to stop her speaking but she pushed me away. “No listen to me, Lauren. Please.”

Then she told me, haltingly, that she’d got something going with Kenny Wu. “I like him a lot. And we’ve slept together. Sex is completely different with a boy.”

She gulped again before saying with devastating quietness: “Perhaps you should try it sometime”.

A massive mental red light flashed. Those six inflammatory, insulting words of betrayal were enough. I was in love, jealous – and angry.  Surging, wild, furious, frenzied anger.  I stood and pulled her forcibly towards me on the bed.  I grabbed a pair of tights which were drying on the radiator. There was very little struggle. I was almost twice her size and weight.

Now, in Miss Thompson’s office in the hideously cold, truthful daylight my mother and the policewoman were watching me closely “Lauren, is there something you want to tell us?” asked the woman softly. My mother squeezed my hand and I could feel her shaking.

“Yes” I said.

Copyright Susan Elkin 2018

 

 

 

 

 

 

Credit Alistair Muir

Last week I went to Open Air Theatre, Regents Park to review the revival of their outstandingly original and moving Peter Pan, predicated on the Lost Boys really being lost ten years later in the trenches. I saw it first in 2014.

It was my first open air production of the season  – apart from Much Ado About Nothing at the Globe, part of the Playing Shakespeare with Deutsche Bank series in March but that is really something different.  I have dozens more outdoor shows booked in between now and September in various venues: some purpose built and permanent others cheerfully “pop up”.

Well, I wasn’t cold at Regents Park and never have been, even when the conditions are quite chilly, because the auditorium, like the Globe’s “wooden O” is a complete circle and there’s nowhere for the wind to get in. At the Globe I’ve often been damned uncomfortable (oh those backless benches!) but never cold. Nonetheless we routinely pack a rucksack with a rug, scarves and gloves whenever we head off to an outdoor venue because this is Britain and you never know. Even semi-permanent and covered venues such as the pavilion at Wormsley for Garsington Opera or the space used by Opera Holland Park can be jolly nippy.

Attending the first show of 2018 made me wonder, not for the first time, why we  mad Brits persist in doing outdoor theatre. This is not Verona, Seville or Avignon, after all. We live in a country which doesn’t seem to have a climate. It just has weather. I suppose staging an outdoor show is a Johnsonian triumph of hope over experience. Dr J was referring to his father’s second marriage but the same principle applies.

I fondly remember the good times. On a really warm Mediterranean type evening – and it happens three or four times a year if we’re lucky –  there is absolutely nothing like a fine open air show. Open Air Theatre, Regents Park is a sort of theatrical paradise when the weather’s right  but I also remember arriving there for a performance of A Midsummer Night’s Dream in heavy rain a few years back. They played the first two acts, their trainers audibly squelching. Then rain stopped play when the stage manager aborted the performance for health and safety reasons. The Tempest in a tempest at Mount Ephraim Gardens in Kent stands out in my memory too as does a The Taming of the Shrew at Canterbury when it sheeted all evening. Ever tried making coherent review notes inside one of those polythene bag ponchos? Not easy.

I have also, several times, been so cold at unsheltered pop up open air venues (Leeds Castle, Boughton Monchelsea, Coolings Nursery, and Kensington Gardens among others) that my brain has numbed to such an extent I could think of nothing but getting away and getting warm – even in June or July.

The worst ever was a Christmas show – yes, Christmas so it was December – at Tom Thumb Theatre in Margate. To my amazement most scenes were staged outside. For part of the time it snowed, with the wind howling in from Siberia across the bay. I learned afterwards that the playwright lives in Florida. It presumably didn’t occur to anyone that what works for Christmas in Miami might be less successful in Margate. I was so cold that night that I was still chilled through even after driving 40 miles home with the car heater on full.

So staging outdoor theatre is high risk. And that’s part of the frisson. Neither company nor audience ever quite knows what’s going to happen with the weather or anything else. When I saw a touring production of Hamlet at Groombridge Place near Tonbridge, peacocks shrieking nearby, the set was a cart-size box enclosed at the back and sides like a mini proscenium arch. At about the moment when Hamlet is briefing the players a furry brown alpaca appeared at a gate just to the side and behind the set. Every audience eye swivelled. And there were chuckles.  We all knew that none of the actors would be able to see what we were looking at which made the situation even funnier. The beast stood there, apparently enjoying the play, until the interval when a staff member roped it up and led it back to where it was meant to be. Upstaged by an alpaca: it doesn’t happen at National Theatre or in the West End.

OAT (2)

 

 

Temple Church Choir, London, 24 May 2018

Temple Church, with its lofty fan faulting and intricate stained glass glinting in the early evening sunshine, is a magnificent setting for a concert. And this performance of Haydn’s colourful masterpiece, sung in English, certainly did it justice – in memory of Jonathan Hirst QC who died last year and whose chambers, Brick Court, sponsored the event.

Temple Choir, which has in recent years made quite a name for itself, is authentically male with 12 choir men and 18 choir boys. They were ably accompanied by Outcry Ensemble whose string work is commendably crisp. It’s an unusual idea to place the timps at the back of the choir so that the singers acted as a muffler but it worked.

Roger Sayer, director of Temple Music, has a real passion for detail and the clear, revealing acoustic of the building allows him to fulfil it. From the first bar of the introductory Representation of Chaos, he ensured that we heard every note from every instrument. Later he and his musicians had such fun with Haydn’s witty sound  effects that the audience chuckled aloud at the “flexible tiger” and the stress on “long” and the evocative bottom E for the worm sung by bass, Jimmy Holliday. Another lovely moment was Holliday’s rendering of the descending fourths in Rolling in Foaming Billows with the flute weaving underneath.

Tenor Guy Cutting sang with lyrical warmth and terrific dynamic control especially in “In Native Worth and Honour Clad” and soprano Augusta Hebbert was  delightful in part three when she and Holliday sang their section as Adam and Eve with sparkling smiles to remind us that this is a freshly minted young couple in love. Their voices blended well because each singer was totally attuned to the other.

There was some fine singing from the choir too. Sayer clearly has a terrific rapport with them, conducting without baton and mouthing words. I particularly admired the way they did the Spacious Firmament fugue with energy that lasted right to the end and included a magnificent crescendo. It’s a testing sing for any choir and more often than not flags long before the last note.

Given the effort which had clearly gone into one of the finest – and certainly the most sensitively dramatic –  renderings I’ve ever heard of The Creation, it’s a pity they didn’t hire a harpsichord. Of course Greg Morris played the recit passages more than competently on piano but it sounded far too plummy for music of this period. It didn’t spoil it because everything else was so beautifully done but it would have been even better with harpsichord.

First published by Lark Reviews: http://www.larkreviews.co.uk/?cat=3