King Lear (Susan Elkin reviews)
Rarely have I felt so elatedly moved and shell shocked at the end of a performance as I did when Jonathan Mumby’s...
Rarely have I felt so elatedly moved and shell shocked at the end of a performance as I did when Jonathan Mumby’s...
Last week I attended an event at Royal Opera House. In effect it was a press briefing to introduce the new season...
When dementia first starts to nibble, it’s tiny things such as slight slowness of speech when you’re tired or suddenly deciding that...
It’s a real pleasure to see a tight, intelligent, grown-up straight play. And when you do, you realise how unusual it has...
Launched four years ago, Michael Grandage’s MGCfutures charity is committed to giving tomorrow’s creative talent a leg-up in the theatre industry, through...
Premiered in 2010 by the MTA’s inaugural intake, Dangerous Daughters (writer Nick Stimson, composed Annemarie Lewis Thomas) is a show which has...
Seven comprehensive school students are preparing their GCSE music performance. They’re a mixed bunch but all committed to music and all wanting...
The joke about expecting to get terrible reviews because “it’s in this show’s manifesto isn’t it?” sounds very confident. Sadly, that confidence...